Multi-Shot Character Consistency
Keep one character looking like the same person across separately generated shots using a locked description block and fixed style spine.
Generate a sequence of shots featuring the same character. **Step 1: write the character lock.** This exact text goes into every shot prompt, word for word, before anything else. Never paraphrase it. CHARACTER LOCK: "[NAME], a [AGE] year old [DESCRIPTION: build, height impression], with [HAIR: exact length, color, texture, and how it is worn], [FACE: skin tone, exactly two or three distinguishing features such as a scar above the left eyebrow, deep-set brown eyes, a wide jaw], wearing [WARDROBE: every visible garment with its color, material, and fit, plus any accessory that appears in more than one shot]." Keep the lock under 60 words. A longer description is honored less consistently, not more, and the details at the end are the first to drift. **Step 2: write the style spine.** Also identical in every shot: STYLE SPINE: "[FILM LOOK: e.g. shot on 35mm anamorphic, shallow depth of field, filmic grain]. [PALETTE AND GRADE: e.g. warm practicals against cool shadows, lifted blacks]. [LIGHTING LOGIC: e.g. motivated by a single window source from camera left]." **Step 3: write each shot** as: CHARACTER LOCK + STYLE SPINE + this shot only. Shot [N]: - Shot size and angle: [WIDE / MEDIUM / CLOSE-UP, EYE LEVEL / LOW / HIGH] - Location and time: [WHERE, WHEN] - Action, one only: [WHAT THE CHARACTER DOES, in countable terms: "picks up the cup, drinks, sets it down"] - Camera: [ONE MOVE OR STATIC] - Audio: [SFX, AMBIENCE, OR ONE LINE OF DIALOGUE] - Duration: [SECONDS] Rules across the sequence: - One action and one camera move per shot. Two of either is two shots. - Vary shot size between consecutive shots, and keep screen direction consistent so the character does not appear to reverse between cuts. - Change only the shot block between prompts. Every change to the lock or the spine is a chance for the character to become a different person. - Anything that must recur (a prop, a wound, a stain, a rolled sleeve) belongs in the lock, not in a shot description. Produce [N] shots covering: [THE BEATS OF THE SCENE].
How to use
Character drift between shots is the main reason AI sequences do not cut together, and it comes almost entirely from rewriting the description each time. Treat the lock as fixed text you paste rather than prose you compose. Keeping it short is counterintuitive and correct: a sixty-word lock is honored more reliably than a two-hundred-word one, so spend the words on two or three distinctive features rather than a full portrait. Where your tool offers a reference image or a cameo feature, use it in addition to the lock, not instead of it.
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